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Tokyo Stories review – artistic immersio

$25/hr Starting at $25

 aving achieved impressive box office results with its Vermeer film, the Exhibition on Screen strand makes bit of a detour from its comfort zone with its latest film: an overview of artistic takes on Japan’s megalopolis and capital city, ranging from Edo-era paintings to street performance events. Having established itself by largely focusing on the golden eras of art history, dominated by the big names of the Renaissance and the late 19th century, here the net is spread to include contemporary artists who will be (mostly) not especially familiar to non-devotees. And while the conduit for the film is the Tokyo: Art & Photography exhibition staged by Oxford’s Ashmolean museum in 2021, this is far from a standard gallery tour: the approach is near-total immersion in Tokyo itself, along with a series of interviews with a string of practitioners including “girly photographer” Mika Ninagawa, veteran pop-era painter Keiichi Tanaami, and representatives of a wacky collective called Chim-Pom.

The results are as handsome as ever, with the film dominated by spectacular photography of Tokyo’s urban landscape in all its glory. For rather obvious reasons, not much of the city survives from before the second world war, but there are traces of ancient Japan to be seen, and accounts – through 17th-century depictions of the marshy, sparsely populated locale – of the embryonic Edo before it became the fortress of the Tokugawa shogunate. These days we are of course much more familiar with the Blade Runner-esque city of glowing neon and retrofitted chaos, but Tokyo as shown here seems to have moved on again, with plenty of pristine new-builds and fancy monuments.How much you respond to this film will, no doubt, depend on your response  to the artists involved; they all come across as approachable, enthusiastic  and articulate. You can see, though, that this is a riskier film for Exhibition on Screen than, say, Leonardo: The Works or Van Gogh’s Sunflowers – or even those on more shadowy figures such as Mary Cassatt or Edward Hopper. Even so, there’s a lot to hold the interest here, with the overarching sense of a city of boundless creative energy. Tokyo Stories is released on 23 May in UK and Irish cinemas favour to ask. We are living through turbulent times, but the Guardian is 

 always there, providing clarity and fearless, independent reporting from around the world, 24/7. 

We know not everyone is in a position to pay for news. But as we’re reader-funded, we rely on the ongoing generosity of those who can afford it. This vital support means millions can continue to read reliable reporting on the events shaping our world. Will you invest in the Guardian this year? fearlessly chase the truth and report it with integrity. 2023 will be no different; we will work with trademark determination and passion to bring you journalism that’s always free from commercial or political interference. No one edits our editor or diverts our attention from what’s most important. 




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 aving achieved impressive box office results with its Vermeer film, the Exhibition on Screen strand makes bit of a detour from its comfort zone with its latest film: an overview of artistic takes on Japan’s megalopolis and capital city, ranging from Edo-era paintings to street performance events. Having established itself by largely focusing on the golden eras of art history, dominated by the big names of the Renaissance and the late 19th century, here the net is spread to include contemporary artists who will be (mostly) not especially familiar to non-devotees. And while the conduit for the film is the Tokyo: Art & Photography exhibition staged by Oxford’s Ashmolean museum in 2021, this is far from a standard gallery tour: the approach is near-total immersion in Tokyo itself, along with a series of interviews with a string of practitioners including “girly photographer” Mika Ninagawa, veteran pop-era painter Keiichi Tanaami, and representatives of a wacky collective called Chim-Pom.

The results are as handsome as ever, with the film dominated by spectacular photography of Tokyo’s urban landscape in all its glory. For rather obvious reasons, not much of the city survives from before the second world war, but there are traces of ancient Japan to be seen, and accounts – through 17th-century depictions of the marshy, sparsely populated locale – of the embryonic Edo before it became the fortress of the Tokugawa shogunate. These days we are of course much more familiar with the Blade Runner-esque city of glowing neon and retrofitted chaos, but Tokyo as shown here seems to have moved on again, with plenty of pristine new-builds and fancy monuments.How much you respond to this film will, no doubt, depend on your response  to the artists involved; they all come across as approachable, enthusiastic  and articulate. You can see, though, that this is a riskier film for Exhibition on Screen than, say, Leonardo: The Works or Van Gogh’s Sunflowers – or even those on more shadowy figures such as Mary Cassatt or Edward Hopper. Even so, there’s a lot to hold the interest here, with the overarching sense of a city of boundless creative energy. Tokyo Stories is released on 23 May in UK and Irish cinemas favour to ask. We are living through turbulent times, but the Guardian is 

 always there, providing clarity and fearless, independent reporting from around the world, 24/7. 

We know not everyone is in a position to pay for news. But as we’re reader-funded, we rely on the ongoing generosity of those who can afford it. This vital support means millions can continue to read reliable reporting on the events shaping our world. Will you invest in the Guardian this year? fearlessly chase the truth and report it with integrity. 2023 will be no different; we will work with trademark determination and passion to bring you journalism that’s always free from commercial or political interference. No one edits our editor or diverts our attention from what’s most important. 




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